The
Cut.
What happens to the footage after you stop recording. Where to cut, how to keep a talking head moving, what to trim first, and how to caption it so it holds on mute.
- The first pass, and the three seconds to remove from every clip
- Where a cut belongs, and why cutting on motion hides the join
- How to pace a talking head so it never feels like it is waiting
- Captions that hold attention on mute without shouting
- When a cut is finished, and the sign you have over-edited it
- Every pass done in CapCut, button by button, on phone and computer
First name and email. The Cut opens on the next screen, with the other two in the same file.
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Download all threeThree guides, one file. Or one at a time:
The First Frame · The Take · The Cut
This is assembly, not decision. It will make a piece watchable and it will not tell you whether the piece was worth making. That part has its own system. The Feature, opening soon, is that system without me. The ninety day mentorship is that system built with me, one to one: my eye on your work, my hands on the build, and someone holding you to it for ninety days.